Make Two Blockbusters for Every Arthouse Film
Consider a successful Hollywood actor. This actor likes to make independent, arthouse films. These films have special meaning to the actor, and he or she believes in them enough to give up a big paycheck to do them.
But this Hollywood actor also makes commercial, popular work. The actor has the prized opportunity to perform a major role in summer blockbusters, the kind of films that rarely win at the Oscars but regularly boost the actor’s stature, not to mention their bank account.
The clash of preferences and opportunities raises numerous questions—most of which miss the point.
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